Anthropoid-d. Sean Ellis-I took the commuter train into Toronto on the weekend ,and checked out a brand new Euro co-production,t hat just had its world premiere at the Karlovy Vary International Film Festival on 1 July 2016.
Anthropoid stars:Cillian Murphy, Jamie Dornan, Toby Jones, and Charlotte Le Bon . It tells the story of Operation Anthropoid, the World War II assassination of Reinhard Heydrich by Exile Czechoslovak soldiers on 27 May 1942.
It’s an interesting story-line that I was somewhat familiar with,as it it has been the subject of previous feature film endeavours; including the 1943 Fritz Lang film: Hangmen Also Die! This featured the only Hollywood script by Bertolt Brecht, and I caught an archive screening of it at the 2013 Berlinale.
However, that version filmed during the war years couldn’t reveal the true details of the secret mission at the heart of the story, as it was still mostly classified. This modern re-telling doesn’t suffer from the same limitations however.
It does suffer however from a clear lack of a consistent directorial and visual vision, relying too extensively on basic,routine,and uninspired coverage shots + editing, especially in the early stages. The movie was shot on film, and I found the digital conversion I viewed in Toronto unusually grainy,and lacking in clarity at times.
The choice of English dialogue was unfortunate. I’m a bit of a purist,and prefer films in their native language. It lends much more authenticity. It was also strange when the Nazi characters were allowed to speak German.Then the German was translated into English, in certain scenes, so the Czech people could understand it? It was awkward and took away from the film.
Otherwise the sets and locations and lighting all top notch, and I really liked the supporting casts performances of Toby Jones and Anna Geislerová.
And the story is great, it just might have been better realized with a more authentic grounding in the Czech language and a more consistent visual style.
Hunt For The Wilder People-d.Taika Waititi-Closer to home,I dusted off the bicycle and headed to the homey confines of the Westdale Theatre, in Hamilton.There was a film screening that I had just missed at the Fantasia Film Festival, and I knew the director from his recent vampire-comedy: What We Do In The Shadows.
That film was released to critical acclaim in 2014.Director Waititi had been noticed even before this for his TV work , and was also nominated for an Academy Award for his 2004 short film Two Cars, One Night. His first feature films: Boy became the top grossing New Zealand film before the release of Hunt for the Wilder People.
Based on the book Wild Pork and Watercress by Barry Crump,this film stars Sam Neill and Julian Dennison as a father figure and son who become caught in a manhunt.The film premiered In Competition at the 2016 Sundance Film Festival on 22 January 2016.
I knew little about this movie before viewing, and went mainly on my love of Waititi’s previous film.
What a nice film this is. Inventive,funny,quirky,poignant, and inappropriate.
All at the right times and in the right measures. With great performances and a wonderful cinematic view of the wilds of New Zealand; I would definitely recommend this flick.
Even if you have to just around to find it:)
Closet Monster-d.Stephen Dunn-Well it turned into a double-bill at The Westdale Theatre, as they had a brand new Canadian feature screening that had some buzz around it.
Closet Monster is drama written and directed by Stephen Dunn , and its Dunn’s debut feature.
It stars Connor Jessup as Oscar Madly, a creative and sexually confused teenager who retreats into a fantasy world to deal with his sense of isolation.The movie premiered at the Toronto International Film Festival, where it won the award for Best Canadian Feature.
The film was shot on location and set in St. John’s, Newfoundland. This is a great feature to come out of the East Coast of Canada, dealing with topics of sexual identity, teenage angst, domestic violence, and artistic expression.
Those are is a lot of topics for any seasoned veteran to attempt; so it is even more impressive to see a 24 yr old filmmaker take on the challenge in his first feature.
I liked style of the film and it was helped along greatly by solid performances, good visual style, and a great 80’s inspired synth soundtrack from Todor Kobakov & Maya Postepski.
Actually the score may have been my favourite element of the film especially in the very cool and pivotal party scene.
Overall , this is a very ambitious and interesting film,although a few things didn’t add up for me.
The portrayal of the Father in the film seemed very uneven, and the use of artistic metaphor and symbolism was heavy handed at times. And I understood the use of the pet hamster as a escape for Madly from the harsher realities of his youth, but still…a talking hamster? Quibbles perhaps:)
Closet Monster is in limited release this summer in Canada ,but do try and catch this new flick from a rising star in Canadian indie film.