Happy New Year and welcome to the first installment of our new monthly series, Oddly-Specific Genres! Last year, we hosted the 2016 Library Challenge, which was pretty intense. This year, we decided to take a more relaxed approach and are instead inviting you to step into a new genre in 2017…or really 12 new genres, […]
Anything to do with Trapped – The Killing Times’ best crime drama series of 2016 – and we’re all over it. That show’s creator, Baltasar Kormakur, has recently opened his own studio, RVK, in Reykjavik and he revealed at the Berlin Film Festival that his next project would be a supernatural thriller based around the […]
With the first cinematic appearance in 1954, the most popular (dai)kaiju celebrated its 31st film in 2016. Brought to life by Hideaki Anno and Shinji Higuchi, Shin Godzilla already managed to become both, a box office sensation, and a face palm galore motivator. Here is, why I enjoyed it.
Ok it is almost time to say goodbye to 2016. I attended a few film festivals: Berlinale,Fantasia, and TIFF.
As well I caught as many interesting films as possible at various cinemas. Here is my best of list-in descending order- favouring indie, foreign, and nourish dramas it seems:)
Honorable mentions to: Swiss Army Man, The Witch, and Sing Street-they all deserve a place in here for sure. Toni Erdmann & Moonlight have yet to be seen; so I can’t judge.
More details on most of these flicks can be found in the 2016 blogs here on CineRadioWaves. Enjoy!
Evolution– Evolution-France-2015-d. Lucile Emina Hadžihalilović
Demon–Demon-Poland-2015-d. Marcin Wrona
Train To Busan–Train To Busan-S. Korea 2016-d. Yeon Sang-ho
Aloys–Aloys-Switzerland 2016-d. Tobias Nölle
Drifters–drifters-Sweden 2015-d.Peter Grönlund
Alena–Alena-Sweden 2016-d. Daniel Di Grado
If Cats Disapeared From The World–If Cats…-d. Akira Nagai (Japan-2016)
American Honey–American Honey-USA 2016-d. Andrea Arnold
Hunt For The Wilder People–WilderPeople-d. Taika Waititi
Green Room–Green Room-USA 2016-d. Jeremy Saulnier
The Phantom Detective–Phantom Detective-d. Jo Sung-He (South Korea-2016)
The Exile–The Exile-Spain 2016-d. Arturo Ruiz Serrano
A Conspiracy Of Faith–A Conspiracy Of Faith-(Denmark-2016-Crime Drama) d. Hans Petter Moland.
The Ardennes–The Ardennes-(Belgium/Netherlands-2015-Crime/Drama) d. Robin Pront
Neon Demon–The Neon Demon-USA 2016-d. Nicholas Winding-Refn
Sunrise–Sunrise-India 2016 d.Partho Sen-Gupta.
Look Who’s Back–Look Who’s Back-Germany 2015-d. David Wnendt
Louder Than Bombs–Louder Than Bombs-Norway 2015- d. Joachim Triers
Disorder–Disorder– Belgium 2016-d.Alice Winocour
Americana–Americana-d. Zachary Shedd (USA 2016)
Operation Avalanche–Operation Avalanche-Canada 2016-d. Matt Johnson
The Dark Side Of The Moon–Dark Side Of The Moon-Germany 2015–d. Stephan Rick
Karl Marx City–Karl Marx City-Germany 2016-d. Petra Upperlein
Nocturnal Animals–Nocturnal Animals-d. Tom Ford-USA 2016
Arrival–Arrival– d. Dennis Villenueve-USA 2016
The Unseen–The Unseen-d. Geoff Redknap-Canada 2016
Embers–Embers-d. Claire Carre-USA 2016
Image–Image-Belgium, 2014,-d. Adil El Arbi, Bilall Fallah
Inside the Cell–Inside The Cell-France 2015- d. Nicolas Boukhrief
What We Become–What We Become-Sorgenfri-Denmark/Germany 2015-d. Bo Mikkelsen
The Little Sister–The Little Sister-Zack Clarke d.USA 2016
The Crew–The Crew-The Crew-Braquers-France 2015-d. Julien Leclercq
It’s been a busy summer and I am just getting ready to attend a few film atTIFF 2016.I’m catching 3 features this weekend, including a new Malaysian supernatural noir called: Interchange. I am also going to see a new film from Polish directing legend Andrzej Wajda called: Afterimage, as well as a Icelandic thriller called The Oath.
So thats this weekend and I have another bunch to get to next week as well:) SO more info to come…in the interim here are a few more notable films from the 20th Fanatasia Film Festival 2016.
All three showings had the directors present which was a real treat. Luckily I was able to catch up with two of the filmmakers that week and I have posted those here for you to check out at your leisure. I’ll let the interviews speak for themselves, and otherwise I will give over for this blog the fine reviewers from Fantasia;who did a great job writing about all the films for the on-line and print programme.
Embers-d. Claire Carre (USA-2016)
Two individuals wake up on a mattress in a shady room, clueless as to how they got there or why they suddenly find themselves in the company of a perfect stranger. To be honest, they don’t remember much of anything, not even their own names. Since the apocalypse, a strange affliction has deprived humanity of its memory. The last survivors wander aimlessly, gripped by a form of amnesia so strong as to make it impossible for them to remember what they did the previous day. There is some indication, however, that the two strangers are somehow connected. They’re both wearing identical blue ribbons on their arm, a hypothetical sign of a common past. Meanwhile, far away, a child trekking across the wastelands meets a curious scientist. Spared the rest of the world’s memory loss, a woman is getting ready to leave her protective bunker and ultimately lose what she holds dearest in the world.
Newcomer Claire Carré’s EMBERS is a rare treat. With a spare and appealing style, it uses science fiction to explore the foundations of human nature. With a precision worthy of José Saramago, Charles Spano and Carré’s script creates unnatural situations which one can quickly relate to, due to their uncanny sense of credibility. EMBERS manages to summon up laughs while maintaining a mysterious tone that will continue to grip you long after viewing. Carré’s true talent lies in her sensitive ability to create larger-than-life characters whose every word and gesture seem to carry a secret meaning. Having already presented her first feature at Slamdance, it’s seems like a safe bet to say that she will soon be recognized as one of the most promising new voices of American independent cinema. The magnificent EMBERS is a miraculous feat that is simply impossible to forget.
— Simon Laperrière
The Unseen-d. Geoff Redknap (Canada 2016)
Everyone knows the tale of the Invisible Man, but have you heard the one about the slowly-turning-invisible-man? That’s just one twist making THE UNSEEN an unforgettable entry in this year’s Fantasia lineup. Aden Young, star of TV’s RECTIFY, plays Bob Langmore, a struggling mill worker in a small northern town. But barely making ends meet isn’t his biggest problem, as he’s also hiding the fact that he’s gradually going invisible. And Bob’s not simply fading away but disappearing in chunks, which makes him look like the victim of a hideous flesh-eating disease. When his ex-wife, Darlene (Camille Sullivan of THE MAN IN THE HIGH CASTLE) asks him to visit his rebellious daughter Eva, he takes a driving job for a local drug dealer and returns to the city. Shortly after his arrival, Eva (Julia Sarah Stone, THE KILLING), goes missing and he suspects the teen has been taken because she shares his affliction. With the drug dealers threatening him and his condition worsening, Bob must find his daughter before they’re both gone for good.
A gritty thriller grounded in family drama with a streak of horror, THE UNSEEN is a future cult classic. It may be Geoff Redknap’s feature debut as writer-director, but his years of experience working in the makeup and special effects departments of features such as DEADPOOL, WATCHMEN, THE CABIN IN THE WOODS and both the FINAL DESTINATION and X-MEN series, plus TV shows including THE X-FILES, FEAR THE WALKING DEAD and MASTERS OF HORROR — shines through in this, ahem — must-see premiere.
— Dave Alexander
Shelly-d. Ali Abbasi (Denmark/Sweden 2016)
Elena is a broke single mother on the verge of a burnout, looking for a break from her daily obligations. A change of scenery would be welcomed, especially one involving a small country house far from the city. When she learns of a couple looking for a maid to take care of their forest dwelling, she jumps on this seemingly fortuitous opportunity. Upon arrival, Elena realizes that her employers have a somewhat unusual lifestyle. They don’t eat meat or use electricity, and they keep contact with the outside world to a minimum. With an unbreakable three-year contract, the young woman complies without complaint. At least she found the peace and quiet she’s been looking for. But her bosses have one more favour to ask of her. Unable to conceive, they want Elena to be their surrogate birth mother — for a handsome sum, of course. Flattered by her employers’ kindness and generosity, she accepts, unaware that her life has just capsized into unspeakable horror. Elena starts to notice signs suggesting that whatever it is she may be carrying inside her, it’s far from human.
What begins as an intimate, Bergmanesque drama slowly transforms into a modern gothic tale in SHELLEY, the brilliant atmospheric tour de force by Ali Abbasi. Reminiscent of ROSEMARY’S BABY, Abbasi’s film has a realism so convincing that the creeping transition into fantasy causes overwhelming anxiety. As the leading lady, Cosmina Stratan, winner of the Cannes best actress award for BEYOND THE HILLS, gives a gripping performance as a troubled woman succumbing to her darkest fears. It’s easily one of the most powerful productions of the 2016 lot.
— Simon Laperrière
Anthropoid-d. Sean Ellis-I took the commuter train into Toronto on the weekend ,and checked out a brand new Euro co-production,t hat just had its world premiere at the Karlovy Vary International Film Festival on 1 July 2016.
Anthropoid stars:Cillian Murphy, Jamie Dornan, Toby Jones, and Charlotte Le Bon . It tells the story of Operation Anthropoid, the World War II assassination of Reinhard Heydrich by Exile Czechoslovak soldiers on 27 May 1942.
It’s an interesting story-line that I was somewhat familiar with,as it it has been the subject of previous feature film endeavours; including the 1943 Fritz Lang film: Hangmen Also Die! This featured the only Hollywood script by Bertolt Brecht, and I caught an archive screening of it at the 2013 Berlinale.
However, that version filmed during the war years couldn’t reveal the true details of the secret mission at the heart of the story, as it was still mostly classified. This modern re-telling doesn’t suffer from the same limitations however.
It does suffer however from a clear lack of a consistent directorial and visual vision, relying too extensively on basic,routine,and uninspired coverage shots + editing, especially in the early stages. The movie was shot on film, and I found the digital conversion I viewed in Toronto unusually grainy,and lacking in clarity at times.
The choice of English dialogue was unfortunate. I’m a bit of a purist,and prefer films in their native language. It lends much more authenticity. It was also strange when the Nazi characters were allowed to speak German.Then the German was translated into English, in certain scenes, so the Czech people could understand it? It was awkward and took away from the film.
Otherwise the sets and locations and lighting all top notch, and I really liked the supporting casts performances of Toby Jones and Anna Geislerová.
And the story is great, it just might have been better realized with a more authentic grounding in the Czech language and a more consistent visual style.
Hunt For The Wilder People-d.Taika Waititi-Closer to home,I dusted off the bicycle and headed to the homey confines of the Westdale Theatre, in Hamilton.There was a film screening that I had just missed at the Fantasia Film Festival, and I knew the director from his recent vampire-comedy: What We Do In The Shadows.
That film was released to critical acclaim in 2014.Director Waititi had been noticed even before this for his TV work , and was also nominated for an Academy Award for his 2004 short film Two Cars, One Night. His first feature films: Boy became the top grossing New Zealand film before the release of Hunt for the Wilder People.
Based on the book Wild Pork and Watercress by Barry Crump,this film stars Sam Neill and Julian Dennison as a father figure and son who become caught in a manhunt.The film premiered In Competition at the 2016 Sundance Film Festival on 22 January 2016.
I knew little about this movie before viewing, and went mainly on my love of Waititi’s previous film.
What a nice film this is. Inventive,funny,quirky,poignant, and inappropriate.
All at the right times and in the right measures. With great performances and a wonderful cinematic view of the wilds of New Zealand; I would definitely recommend this flick.
Even if you have to just around to find it:)
Closet Monster-d.Stephen Dunn-Well it turned into a double-bill at The Westdale Theatre, as they had a brand new Canadian feature screening that had some buzz around it.
Closet Monster is drama written and directed by Stephen Dunn , and its Dunn’s debut feature.
It stars Connor Jessup as Oscar Madly, a creative and sexually confused teenager who retreats into a fantasy world to deal with his sense of isolation.The movie premiered at the Toronto International Film Festival, where it won the award for Best Canadian Feature.
The film was shot on location and set in St. John’s, Newfoundland. This is a great feature to come out of the East Coast of Canada, dealing with topics of sexual identity, teenage angst, domestic violence, and artistic expression.
Those are is a lot of topics for any seasoned veteran to attempt; so it is even more impressive to see a 24 yr old filmmaker take on the challenge in his first feature.
I liked style of the film and it was helped along greatly by solid performances, good visual style, and a great 80’s inspired synth soundtrack from Todor Kobakov & Maya Postepski.
Actually the score may have been my favourite element of the film especially in the very cool and pivotal party scene.
Overall , this is a very ambitious and interesting film,although a few things didn’t add up for me.
The portrayal of the Father in the film seemed very uneven, and the use of artistic metaphor and symbolism was heavy handed at times. And I understood the use of the pet hamster as a escape for Madly from the harsher realities of his youth, but still…a talking hamster? Quibbles perhaps:)
Closet Monster is in limited release this summer in Canada ,but do try and catch this new flick from a rising star in Canadian indie film.
Operation Avalanche-d. Matt Johnson-a very cool flick ,and an interesting take on the entire faked moon landing conspiracy theory. I did see a recent comedy flick called Moonwalkers that mined this territory as well. But this film is a very different kettle of fish.
Following up on his first feature The Dirties with his partner Owen Williams ,this is a drama about CIA surveillance operatives who take it upon themselves to convince their higher ups to allow them to shoot a fake moon landing. Relying on old film stock, reams of archive footage from NASA, and touches of black humour and inventive story-telling; this is a great new Canadian feature .
Catch this is you can, and watch for a surprise appearance from Stanley Kubrick:)
Toro-d. Kike Maillo (Spain 2016)- I caught the North American Premiere of this film at Fantasia recently. This is a new Spanish crime thriller that is more than just action and suspense. It is really a story of loyalty, betrayal, and sacrifice-with a nice grounding in Catholic religious imagery.
From director Kike Mallo, Toro is his follow up film to the 2011 sci-fi film Eva. Here he tells the story of Toro , a street thug who informs his gangster boss that he is leaving the criminal life behind after one last job.
However, the job goes horribly wrong and Toro ends up on jail, but is now a new man. He has no interest in criminal life, only his lovely girlfriend and their future together.
But the past has a way of catching up to him upon his release on bail, and he must come to the aid of his remaining family and hope not to lose everything he dreams for the future.
This is a great story mixing comedy, action, and drama in a super realist style, with some un-nerving and shocking imagery at times, but perfectly keeping with the thematic motifs and imagery built up through the storyline.
The Priests-d. Jang Jae-hyun (South Korea-2016)-A Korean exorcist movie? Why not. Another in a strong string of movies featured at Fantasia from South Korea, The Priests is a crowd pleaser of a drama about the demonic possession of a young teenage girl in Seoul.
Coming to the rescue are burned-out outcast priest Father Kim (Kim Yoon-seok), who approaches tracking down and fighting demons to crime fighting. Making him the lead detective of sorts in this story.
And at his side is the newest in a long line of assistants,the very new and rebellious Deacon Choi (Kang Dong-won) ,who also stars in another great film at Fantasia: A Violent Prosecutor.
Together this unlikely pair must fight not only the powers of evil, but of the uncaring and untrustworthy beauracracuy of their own Church.
But they are a plucky pair and they have some aids at their disposal: a Bible, a tube of toothpaste, a Bach CD, and a piglet!
A very enjoyable horror film with some funny moments, keep your rosary beads close if you manage to catch a screening though:)