Holland at goEast

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Agnieszka Holland was at the goEast Film Festival on April 30 to present her brand new film Spoor(Pokot). Here, Holland mixs genres to a subversive end, with her story concerning a retired engineer Janine Duszejko who is an amateur astrologist, vegetarian, and teacher with a great love of animals.

She regularly confronts the male establishment in the rural setting of the film, and fights their regular disregard of the laws concerning animal welfare. What unfolds is a murder mystery of sorts that resonates on many political, ecological, social, and existential levels. Beautifully shot and conceived w an excellent score from Antoni Komasa- Lazakiewicz, and Matthias Eklund,  with healthy doses of black humour.

Based on a novel by Olga Tokarczuki called : Drive Your Plow Over The Bones Of The Dead. I would highly recommend this flick….

what follows is a brief compendium of notes from the insightful talk by the director and moderators at the Caligari Filmbuhle in Wiesbaden  on April 30

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Spoor (animal)

Footprints of the extinct thylacine
Spoor is any sign of a creature or trace by which the progress of someone or something may be followed. A spoor may include tracks, scents, scat, or broken foliage. Spoor is useful for discovering or surveying what types of animals live in an area, or in animal tracking.

Spoor won the Silver Bear at 2017 Berlinale- she graduated from FAMU in 71 studied w Milos Forman-worked with Wadja in Poland-She became part of the Polish New Wave, Moral Anxiety-81 left in exile-TV work includes: The Wire, Burning Bush, House Of Cards- book film is based on was written 9 years ago, premonition at end of book and film? Holland quoted “wadja-doing movies from the future”-

this is a bizarre mix of genres: anarchist,feminist,ecological,fairytale,thriller-difficult to finance-German  financing was key-shot in Silesia near Wroclaw-Holland just back from Hong Kong FF, big interest in this film in Asia-subversive use of genre w unexpected uses and outcomes

-4 season long process, 2 years, 5 DOP, 2 directors,- who is the killer?,we don’t know until the end-she likes American directors Coen Brothers and Wes Anderson as they speak about issues yet still connect to an audience-

protest by right wing in Poland, criticize it as feminist film,fuck them! Poland, Hungary,Turkey, USA are all turning hard right taking away women’s rights and destroying the environment.-their enemy is ecology and women-they are angry, only Catholic, white, heterosexual men are important in Poland-environmental issues in film are linked to woman’s fight

-Holland is the role model for feminist cinema in Poland-she was accepted in an all male film world in the 70s because she was viewed as a masculine filmmaker w balls, but she took offence as she IS a different gender w a different point of view-

women were never represented at the same level in distribution, exihibition etc-Poland has several good women directors currently-

this film shows the anger in society that is growing, fire is anger both good and bad, freedom has released options-revenge story(django)-hunters are a metaphor to some extent

-good film creates a space for the audience to form their own conclusions from the structure the filmmaker has provided-

William Blake reference adds an existential element and is attached to the area the film is located…

Also see: Spoor-The Guardian

 

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Goeast FF-1

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I’m in wonderful Wiesbaden for the Goeast Film Festival. Today is the first full day of screenings and it got off to a fun and interesting start this morning at the very beautiful Caligari Cinema.

The show was a collection of recent short Polish animated films sponsored by the Polish Cultural Intitute.  With some children in attendance it made for a great atmosphere for the animations.

The programme consisted of:

The Little Red Paper Ship-d. Aleksandra Zareba-2013

A Little Bird Wants To Fly-d. Maciej Peska-2014

Xavier The Cat-d. Andrej Orzechowski-2013

The Prince-d. Monika Kuczynieka-2013

Leaves-d. Agnieszka Borowa-2011

Spirits of the Piano-d.Magdalena Osinksa-2010

Three King-d. Anna Blaszczyk-2014

Winter Tournament-d. Maciej Pestka-2016

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You Dont Know How Much I Love You– d. Pawel Lonzinski (Poland 2016)

Director Lonzinski graduated from the National Film School in Lodz and has gone on to make more than 20 award-winning documentaries shown on the international festival circuit. Included is his highly acclaimed 2009 film : Chemia.

In this new film, Lozinski explores personal +interpersonal trauma and the loneliness inherent in the relationship between an estranged daughter ( Ewa Szymczyk) ,and her distraught mother ( Hanna Maciag). The setting is a series of personal counselling sessions with a therapist played by Bogan de Bardo, who is a professional psychologist in real life.

Stradling the line between real time documentary and narrative fiction, the film uses a loose structure with no fixed script and no certain narrative outcome.

The film relies on the exceptional talents of the two lead actors who delve into their own personal fears and traumas in life to channel their own raw experience into the “characters” which are really them.

It is hard to describe but with three close up shots of the 3 characters, and the occasional pan between mother and daughter, the audience is suspended in this documentary narrative that is a powerful portrayal of modern day angst,despair, and loneliness, and the strength and determination it takes to try and reach beyond that existence.

highly recommended…

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Goran-d. Nevio Marsovic (Croatia 2016)

This is a brand new Croatian feature that is part thriller, part family drama,and part buddy film. An interesting take and adaptation of a genre film, this tale is set in the snow covered and seemingly idyllic high plains area of Croatia.

The director made his feature film directing debut at the age of 16 ,and after graduating from the Zagreb Arts Academy ,went on to direct and write for a number of feature and TV productions iincluding the 2010 feature: The Show Must Great On

This is an interesting watch that shifts and changes gears on a regular basis but not to the detriment of the viewer. Making excellent use of the small town snowy landscape ,and also local customs and humour ,really grounds this flick in an authentic time and place.

Story line threads and inventions ,such as the visually impaired lead actress ( Natasha Jansic) ,set  this film apart from more pedestrian representations of genre bending narrative.

Recommended…

 

 

Euro Fests-2017

 

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Hello from Europe folks, hope you are all well. I arrived in Europe a couple weeks ago for some vacation time, and to check out a couple festivals. I arrived early on a cloudy morning at Schipol Airport, and hopped on the TGV to Brussels. After a good sleep, I checked out some cool sights in the city ,and stumbled across the Brussels Cinematek .

The museum was mostly closed, but my timing was good for a screening of a French Film from 1923 called: Visages d’enfants. The film was directed by Jacques Feyder and was screened as part for of their ongoing silent film series that shows restored 35mm prints at their original 18 fps speed. A rotating number  of music specialists provide accompaniment.

“Faces of Children (French: Visages d’enfants) is a 1925 French-Swiss silent film directed by Jacques Feyder. It tells the story of a young boy whose mother has died and the resentments which develop when his father remarries. It was a notable example of film realism in the silent era, and its psychological drama was integrated with the natural landscapes of Switzerland where much of the film was made on location.”

Feyder was one of the main French film directors that developed the Poetic Realism style that began in the silent era. He went to Hollywood in 1929 and directed  Greta Garbo in her last silent feature: The Kiss.

This was a fantastic screening, one of the best film experiences I have had in a long time, with an excellent live piano score. If you find yourselves in Belgique and are a lover of films do check out the Cinematek schedule in between seeing the sights:)

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April 26 finds me in beautiful Wiesbaden, Germany for the beginning of the Goeast Film Festival. This is a long running and highly regarded yearly festival, that specializes in Central European Cinema. This years festival has highlights on woman directors, feminist films and woman’s representation in media, Czech Film Now, as well as  films in competition in both the feature and documentary catagories.

I will be writing more in this in the next two weeks, as the festival is just swinging into top gear tomorrow ,and I have a full slate of 4 films to see at the Caligari Film Buhle to kick off my viewing, so stay tuned for more!

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And speaking of festivals, a little later in my trip, from May 16-23 I am attending the 10 annual Krakow Film Music Festival. It will be a week of workshops and concerts featuring the likes of Giorgio Moroder, Howard Shore, Klaus Doldinger, and Abel Korniowski.

All taking place in the ultra modern convention centre and Tauron Arema,  in the beautiful and medieval city of Krakow, Poland….again more on this at a later date

One additional note: my weekly 2 hour radio programme Soundtrack is still on the air. Guest host Robyn Edgar is filling in so keep listing for an eclectic mix of music from the cinema. The station can be found at 93.3-FM in the Hamilton(Canada) area, or check it out online on our brand new website: http://www.cfmu.ca

The show airs live  from 10:00-12:00 est or download or stream a podcast at your leisure:)