FMF 2017

I was lucky enough to be at the official kickoff of the 10th annual Festiwal Muzyki Filmowej W Krakowie ; and then attend the full festival which ran from May 17-23.

Held yearly in beautiful Krakow,Poland- this is a festival for film music lovers as well as industry and artistic people involved in the ever-changing and growing field of film music.

With an excellent staff and volunteer team and the generous support of RMF Classic , this is a great place to immerse yourself in the world of sounds from the cinema and to get  insightfull commentary from the big names in film scoring ;as well as many up and coming composers.

Featuring a full slate of workshops in addition to talks and concerts this is a go to mecca for the film music enthusiast.

Definitely check out their website for video, pics, information, and a very cool link to listen to the new compilation CD released on Varese Sarabande: FMF 2017

Press Conference-Host:Magdalena Wojewoda-in attendance were:Robert Piaskowski,  Abel Kornzeniowski,Trevor Morris, and Robert Townson.

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Interview w: Jan AP Kaczmarek: go straight to the audio link for an interview w the composer about his music career and the Transatlantyk Festival:

FMF Interview 17-05-117

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PANEL: Independent Critics in Film Music
Host: Ray Bennet
Participants: Eleni Mitsiaki, Jonathan Broxton, Peter F. Ebbinghaus

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Opening Night Concert w Abel Korzeniowski- a sold out concert hall at the ICC enjoys a fantastic concert featuring the composers film and television music.

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Some Q and A time w Trevor Morris: head to the audio link for a lengthy conversation w composer Morris about his music for film, TV, and video games:

FMF Interview-20-05-17

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Q and A w Klaus Doldinger and Jean-Michel Bernard- the audio is poor,but a great talk by the composers as well as a cool impromptu jam at the end-audio link is here:  Doldinger + Bernard talk film music and jam some jazz near the end

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Thoughtful words from Giorgio Moroder- hiatus since the mid-90’s-spent time doing art, photography,a piano concert, and he renovated  car-recently he has been back doing DJ work and has scored a series called: Queen Of The South-started doing film music in the 70’s after he was bought to the attention of Alan Parker, this was after he produced Donna Summers: I Need Love.-He scored Parker’s hit film Midnight Express, winning an Oscar for Best original Score in 1977-he talked a bit about the film Metropolis and his struggle to modernize it w new music and a restored print-by the time they could track all the footage down it had been 2 years and the result already seemed dated when it was finally released-it was the first digital sound presentation-says he is not a great keyboard player-never toured much-started as the first DJ in Germany in 1969 and has now come full circle to do live DJ shows(including the outdoor one in Krakow at FMF)-it is fun he says-he says he must have mixed over 1 thousand songs in the studio over the years-says the new digital technology is great-for 2k you can have a good set-up w a laptop-” it’s a democracy of music now”-talked about his hits written for Top Gun-said they recorded a demo w The Motels lead singer which ended up being re-recorded w Berlin for the big hit “Take My Breath Away”-talked about Scarface-now a cult classic-very high expectations when it was produced-Moroder did the Main Theme and 5 songs-cast and crew screening ended in complete silence-the critics hated it & helped kill it-when it came out on video it was a great success especially in the African-American community-big cult movie-Jay Z wanted to redo the songs w some rap and Beyonce-Universal wanted to but DePalma said no-so an album inspired by Scarface came out-Moroder would write more music for it and re-record some stuff if he could-he said 30 out of 100 songs he did were “good” and 10 did well at the charts…to see pictures of his performance at FMF 2017 go to the FMF website at: FMF 2017

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All Is Film Music + Titanic shows pack the house at Tauron Arena-  there is a lot of interest in film music here in Poland as is evidenced by two packed houses at the 17,000 seat Tauron Arena in Krakow

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Standing room only to hear Howard Shore: Shore says he lives in a wooded area in the countryside and this setting really helped him connect with the Lord Of The Rings storyline-this is where he writes and he records mostly in Europe-he starts writing with a pencil and paper then he progresses to digital technology-he studied clarinet and leaned the importance of writing with a pencil-says he doesn’t compose on a computer-he says he writes “away from the film”- he views it once, then writes roughly 45 mins of music after improvising and dreaming about the film-writes more about the “idea” of the film and not so much about the images-writing from the heart-then come orchestration- In Silence Of The Lambs he concentrated his writing on the character played by Jodi Foster rather than the monster character of Anthony Hopkins-In 86  he scored The Fly for David Cronenberg w no electronics-afterwards he started  developing his “Opera Technique with Electronics”– for Signs Of Life (89) he used electonic sound with mechanical and underwater sounds and noise and these played the music he had written-this unsettleded the score when mixed with the orchestrated recording- he talked about the challenge of the 13 minute main title sequence for Hugo (2011)-and mentioned a recent film Denial (2016) shot in Poland- Lord Of The RingsPeter Jackson flew him over to see what they were doing-everything was made by hand for the film-it was a huge challenge for him-he was 9,000 miles away and NZ still only had 56k dial-up internet service-logistical nightmare w over 4 hours of music- he doest have a “team”-he orchestrates, writes, and conducts-wrote for 230 musicians+orchestra+choir+vocalists-he developed a “technique” to control all this-so he took 1 year for each LOR score to write, orchestrate, produce and develop extended versions-he wrote 12 hours of music which took 3 years and 9 months all in…longest production in film history as the films were all shot together and then The Hobbit began..a great talk by Howard Shore!!

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Holland at goEast

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Agnieszka Holland was at the goEast Film Festival on April 30 to present her brand new film Spoor(Pokot). Here, Holland mixs genres to a subversive end, with her story concerning a retired engineer Janine Duszejko who is an amateur astrologist, vegetarian, and teacher with a great love of animals.

She regularly confronts the male establishment in the rural setting of the film, and fights their regular disregard of the laws concerning animal welfare. What unfolds is a murder mystery of sorts that resonates on many political, ecological, social, and existential levels. Beautifully shot and conceived w an excellent score from Antoni Komasa- Lazakiewicz, and Matthias Eklund,  with healthy doses of black humour.

Based on a novel by Olga Tokarczuki called : Drive Your Plow Over The Bones Of The Dead. I would highly recommend this flick….

what follows is a brief compendium of notes from the insightful talk by the director and moderators at the Caligari Filmbuhle in Wiesbaden  on April 30

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Spoor (animal)

Footprints of the extinct thylacine
Spoor is any sign of a creature or trace by which the progress of someone or something may be followed. A spoor may include tracks, scents, scat, or broken foliage. Spoor is useful for discovering or surveying what types of animals live in an area, or in animal tracking.

Spoor won the Silver Bear at 2017 Berlinale- she graduated from FAMU in 71 studied w Milos Forman-worked with Wadja in Poland-She became part of the Polish New Wave, Moral Anxiety-81 left in exile-TV work includes: The Wire, Burning Bush, House Of Cards- book film is based on was written 9 years ago, premonition at end of book and film? Holland quoted “wadja-doing movies from the future”-

this is a bizarre mix of genres: anarchist,feminist,ecological,fairytale,thriller-difficult to finance-German  financing was key-shot in Silesia near Wroclaw-Holland just back from Hong Kong FF, big interest in this film in Asia-subversive use of genre w unexpected uses and outcomes

-4 season long process, 2 years, 5 DOP, 2 directors,- who is the killer?,we don’t know until the end-she likes American directors Coen Brothers and Wes Anderson as they speak about issues yet still connect to an audience-

protest by right wing in Poland, criticize it as feminist film,fuck them! Poland, Hungary,Turkey, USA are all turning hard right taking away women’s rights and destroying the environment.-their enemy is ecology and women-they are angry, only Catholic, white, heterosexual men are important in Poland-environmental issues in film are linked to woman’s fight

-Holland is the role model for feminist cinema in Poland-she was accepted in an all male film world in the 70s because she was viewed as a masculine filmmaker w balls, but she took offence as she IS a different gender w a different point of view-

women were never represented at the same level in distribution, exihibition etc-Poland has several good women directors currently-

this film shows the anger in society that is growing, fire is anger both good and bad, freedom has released options-revenge story(django)-hunters are a metaphor to some extent

-good film creates a space for the audience to form their own conclusions from the structure the filmmaker has provided-

William Blake reference adds an existential element and is attached to the area the film is located…

Also see: Spoor-The Guardian

 

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Strong Female Leads (4)

Elle + Julieta= Who needs Hollywood?

Elle (French for “she” or “her”) “is a 2016 psychological thriller directed by Paul Verhoeven and written by David Birke, based on the novel Oh… by Philippe Djian. Djian’s novel was released in 2012 and received the Prix Interallié (National Literary Award). The film stars Isabelle Huppert as a businesswoman, Michèle Leblanc, who is raped in her home by an unknown assailant and plots revenge.

The film is Verhoeven’s first feature since 2006’s Black Book, and his first in the French language. It premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival where it received critical acclaim.Elle won the Golden Globe Award for Best Foreign Language Film and Critics’ Choice Movie Award for Best Foreign Language Film; it was also selected as the French entry for the Academy Award for Best Foreign Language Film, but was not nominated. At the 42nd César Awards, the film received eleven nominations.

Huppert’s performance was widely acclaimed, considered to be one of the finest of her career and she was nominated for the Academy Award for Best Actress. She also won several awards, including the Golden Globe Award for Best Actress in a Motion Picture – Drama, the National Society of Film Critics Award for Best Actress, the New York Film Critics Circle Award for Best Actress, the Los Angeles Film Critics Association Award for Best Actress, and the Gotham Independent Film Award for Best Actress.”

Wow a fantastic return to form for neglected filmmaker Paul Verhoeven. Originally conceived as a Hollywood production, Verhoeven and writer Dijan shopped the script around L.A.but were turned down by every major actress. So the pair turned to Europe and when financing came through Verhoeven was to have to rise to the challenge of working in an unfamiliar language: French.

However the turn of events seems to have been a good turn really.

With the aid of stellar actress Isabelle Huppert and a fine supporting cast, Verhoeven weaves Dijan’s story into an intricate neo-noir infused with unexpected developments and a strong flavour of black humour.

Complimented by a haunting score from Anne Dudley ,as well as inventive editing and cinematography, Elle turns out to be perhaps the best film of Verhoven’s career and a top work in the rather extensive credits of Isabelle Huppert.

So who needs Hollywood, really? As the Oscars proved  once again…

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Julieta “is a 2016 Spanish film written and directed by Pedro Almodóvar based on three short stories from the book Runaway by Alice Munro. The film marks Almodóvar’s 20th feature and stars Emma Suárez and Adriana Ugarte as older and younger versions of the film’s protagonist, Julieta, alongside Daniel Grao, Inma Cuesta, Darío Grandinetti, Michelle Jenner and Rossy de Palma.

The film opened on 8 April 2016 in Spain to generally positive reviews. It made its international debut at the 2016 Cannes Film Festival, where it was selected to compete for the Palme d’Or, and was released across the world throughout the remainder of 2016. Julieta has grossed over $21 million worldwide.

It was selected by the Academia de las Artes y las Ciencias Cinematográficas de España as the Spanish entry for the Best Foreign Language Film at the 89th Academy Awards, but did not make the shortlist.[2] It was nominated for the BAFTA Award for Best Film Not in the English Language in addition to receiving 4 nominations for European Film Awards and 7 nominations for Goya Awards.”

This new flick left me pleasantly surprised. I will admit to not being the biggest fan of director Almodovar so I went into this screening as an aside really. But what unfolded was a  wonderful film chronicling the life of Julieta, with all it’s trials and tribulations.

Based on the writings of Canadian author Alice Munro- this is a understated and engaging woman’s story(s) , with some nourish elements woven in . Women are at the focus of this film and its greatest strength.

Julieta is one of the best films  Almodovar has directed , and another strong European feature that exists outside of the mainstream American industry

The Zookeepers Wife+Toni Erdmann= pedestrian filming in a rapid era

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The Zookeeper’s Wife “is an upcoming 2017 British-American war drama film directed by Niki Caro and written by Angela Workman, based on the non-fiction book of the same name by Diane Ackerman. The film stars Jessica Chastain, Johan Heldenbergh, Michael McElhatton and Daniel Brühl.

The film is scheduled to be released on March 31, 2017, by Focus Features.
A true story about the Warsaw Zoo keepers couple Jan and Antonina Żabiński, who saved many human and animal lives during World War II by hiding them in animal cages.”

I had a chance to see this at a preview screening at the TIFF Lightbox theatre in late January. Jessica Chastain is shooting a film in Toronto and was invited to screen the film and chat about it (and her career) . Unfortunately the audience was required to sign a non-disclosure agreement, but hopefully enough time has elapsed, for me to comment?

This was a big disappointment, based on a very interesting and real story from WWII Poland. Bland, predictable, simplistic filmmaking. And the Polish characters all spoke English in some strange faux-Eastern European accent which really took away from the screening.

Fans of the book may enjoy this but it’s a miss for me I am sorry to say.

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Toni Erdmann is a “2016 German-Austrian comedy-drama film directed, written and co-produced by Maren Ade. It stars Peter Simonischek and Sandra Hüller.

The film, which premiered in competition at the Cannes Film Festival,[5][6] was named the best film of 2016 by Sight & Sound and other respected cinema magazines.[7][8][9]

It has been nominated for the Best Foreign Language Film at the 89th Academy Awards.[10] It won five awards at the 29th European Film Awards: Best Film (a first for a film directed by a woman), Best Director, Best Screenwriter, Best Actor, and Best Actress.[11] It also won the European Parliament LUX Prize.[12]”

I was underwhelmed by this film- it had some very funny moments but seemed stilted and awkward to me. A 2 1/2 hour running time for a one note film is a little rich I would say as well:) Not much of a work of cinema, Toni Erdmann had a very plain and MOW look and feel to it… the German film from the previous year Phoenix, was a far superior film.

Really don’t get the accolades, did I miss something?